Work NO.
#accessories |
Neriage, glazed and non glazed each accessories |
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Yoko Iida's cobalt blue and with a red glaze
earrings, a choker, a necklace, a brooch,
a tiepin, cuffs, a bolo tie, Gakusyu Tsujita's
-- an excellent work -- Neriage, a brooch
and a pendant, Yasuko Enomoto's non glaze,
earrings, a pendant, etc. These artists's much
accessories whichmade full use of the work
of mind are each profit.
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Size and the number 1
From floor price \3000
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Box (a Japanese paper bag and vanity case)
Price \3,000
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To the page of an order
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| Work NO.#MM0015 |
Pumpkin type Beisyoku teacup Masato Iida |
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The artist who continues asking for the blue porcelain
of Southern Song A prejudice is a line from the month
to the waist. Softness is brewed. Beisyoku. color.
the work out of which the deepness of a blue porcelain
has come well.
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Size and the number 1
W12.2–H8.2cm
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Box (paulownia wood)
Price \130,000
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To the page of an order
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a reverse-side side. |
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| Work NO.#US1000 |
Bizen wide mouth jar by Soh Isezaki |
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The scene burned by one room kiln is peculiar
sesame.The vigor of fire with a color and a bright
ground color The large month is distorted and
it is about room to a form.
The work of the obtained one room kiln no one but.
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Size and the number 1
W35.5*H30.0cm
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Box (paulownia wood)
Price \120,000
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To the page of an order
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a reverse-side side. |
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| Work NO.#W0008 |
Hagi natural glazed flower vase by Kasyun Mukuhara |
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The work of Haikaburi which can be burned
only with a climbing kiln. also in Hagi ware has
the exciting very interesting scene which ashes
and glaze weave.This work is a very good work
all equipped with the feature of the portion buried
in the ashes and its feeling of clay, the head part
which turned purple as a special work of kiln,
the mouth part which applied ashes fully,
and typical Hagi ware the Haikaburi.
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Size and the number 1
W12.2*H22cm
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Box (paulownia wood)
Price \40,000
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a reverse-side side. |
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| Work NO.#_30017 |
Echizen hand-shaped jar by Syunnji Ito |
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expression of the intention referred to as that a form
just like anarchaeological find wants to return to the
starting point of theauthor's Echizen ware The scene
with which the ashes of claytouch peculiar to remnants
and miscellaneous trees build themarks of the good finger
of@a rhythm inside has the wonderfulprocess which
accumulated the string of the clay called traditional
WAZUMI and was built.
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Size and the number 1
W23*H21cm
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Box (nothing)
Price \45,000
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To the page of an order
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a reverse-side side. |
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| Work NO#F1001 |
Bzen big jor by Nobuyoshi Shibaoka |
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The figure and mouth structure of the Bizen large jor
completed in a delicate ridgeline are a highlight, and the
artist is one of the styles good at the scene which
combined sesame and SANGIRI with the curve gentle to
skillfully. It is the work out of which the merit of came well if
it was a climbing kiln that the Bizen is profound as for this,
and delicate.
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Size and the number 1
W29.2*H27.2cm
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Box (paulownia wood)
Price \100,000
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a reverse-side side. |
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| Work NO.#_20146 |
A fish pattern's big-plate with brawn glase by Toshio Kinjoh |
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Three outlines and a fish pattern and which came up to
brawn glase by the inlaid works give the deepness of the
Tsuboya ware with which a technique handed down by the
Korean Peninsula flows the bottom. a brawn glase which
was rich in change of a shade is suitable in the folk craft
which states random beauty. The artist is elated big-plates.
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Size and the number 1
W33.0*H7.8cm
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Box (vanity case)
Price \40,000
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a reverse-side side. |
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| Work NO.#KC0023 |
Hagi teabowl by Shin Noutomi |
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The kind of scene of Hagi ware is various, that of glaze
and the ground is natural, and has a respectively delicate
difference, and also has climbing kiln gas, electric kiln,
and various ways of burning.
This work is a wonderful work with which it burned with
the climbing kiln, the purple spot in the soft touch surface
appeared violently in and abroad, and purple appeared
skillfully further in the fire table
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Size and the number 1
W13.9–H8.7cm
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Box (paulownia wood)
Price \100,000
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a reverse-side side.
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| Work NO.#70007 |
Shino flower vase by Takeharu Kobayashi |
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Shino ware is loved by the masters of the tea ceremony
The expression is simple and quiet. and WABI It responds to
experts in the tea ceremony and is the vessel of the conventional
lifeWhich draws a line with what was generated is a
highlight. This work is credit at a stretch.
The natural view which beam ONIITA and feldspar
weave A color is wonderfu.
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Size and the number 1
W12.2*H25.8cm
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Box (paulownia wood)
Price \30,000
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a reverse-side side.
| Work NO.#_20077 |
Okinawa Tsuboya, a extra-large Dchibin with a fish pattern by Toshio Kinjo
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Two nonchalant fish are located in a line, and it is swimming
in the big body.The completion which wore green on copper
glase and the whole makes the sea inOkinawa which was free
and felt relieved recollect. Some colors of comparatively
beautiful burn going up and this cobalt glase impress the flow
when making it quiet
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Size and the number 1
W26.8*L21.0*H11.0cm
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Box (nothing)
Price \30,000
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To the page of an order
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